The Meaning of the Lunfardo Word ‘Bacán’

Posted On July 9, 2013By TranspanishIn Languages, Lunfardo, Spanish Language, Tips for Translators/ No Comments

Although not much in use these days, it may still be possible to hear people in their fifties or sixties using the word bacán in their conversations, especially when referring to somebody who seems to have a good economic position. It was a very popular term during the sixties and seventies amongst the hippies.

Alegre Bacán – Tango

What does bacán mean?

According to some language experts, a bacán is somebody who sees himself or herself as having a lot of money. It is worth noticing that a bacán is not necessarily somebody wealthy but -in most occasions- somebody who seems to be wealthy. It was first used to refer to the rich people who held administrative positions in the British-owned trains. According to a version, these administrative people, since they didn’t do any physical effort, kept their hands at their backs (backhand, in English).

This term belongs to the Argentine lunfardo and it was used not only in Buenos Aires but also in all the River Plate area.

Throughout the years, different synonyms or quasi synonyms have appeared: “jailaife”, “shusheta”, “pituco”, “cajetilla”, “bienudo”, “concheto” or “cheto” just to mention a few of them.

The English version

Some language experts believe that the word bacán derives from the English word “backhand”, which referred to the wealthy people who, as it has already been said, had administrative positions in the British-owned trains.

The Italian Version

On the other hand, some language experts are convinced that the term bacán comes from the old Genoese Latin word baccan, which meant patron, captain of a ship, pater familia (head of a Roman family).

Baco, Bacanales and “bacán”

It is also worth mentioning that some linguists firmly believe that the etymological origin of the word bacán can be found in the word bacanal. Thus, “bacán” would be an abridged version of that word. Bacán would be the man who enjoys life fully, who spends money on good clothes, good wines and good food since the bacanales were, in the Ancient Greece and Rome, parties celebrated to pay homage to the God Baco that included plenty of good food and alcoholic beverages.

`Mina´: One of the Most Popular Words in Lunfardo

Posted On May 22, 2013By TranspanishIn Lunfardo, The origin of..., Tips for Translators, Translation Buyers/ No Comments

If you ever spend a couple of days in Buenos Aires or Montevideo, there are great chances that you will hear at least once the word mina in a conversation and, needless to say, without referring to any kind of military device or to the place where precious metals are extracted.

What kind of mina is everybody talking about? To begin with, we will mention that in the River Plate area mina has a very distinctive meaning since it is one of the most popular terms used in lunfardo. It is part of everyday language of men and women, both young and old. Generally speaking, mina means “woman”.

Free image courtesy of FreeDigitalPhotos.net

Mina: When A Woman is as Precious as a Jewel

Both in Buenos Aires and in Montevideo, the term mina is traditionally used to refer to a beautiful and sexually attractive woman. The origin of this usage can be traced to the 17th and 18th centuries, when Buenos Aires was a Spanish colony, and groups of slaves were brought from Africa. The slaves that came to America from the old Portuguese African fort of San Jorge de la Mina received the name of Minas. The slave women that came from Cape Verde were especially expensive; their very dark skin and exquisite, exotic beauty made them very sought after by men, who employed them in their houses and used them to satisfy sexual favors. In the 20th century and now in the 21st, mina is still used to talk about a beautiful woman, especially in informal or colloquial conversations.

According to some language experts, this term of lunfardo derives from the clipping of the Italian word femmina and the contraction of the Galician menina. To these origins we can add the metaphoric language used by procurers since the woman with her body brought them money, just as a mine does any time a precious metal is extracted from it.

Mina: Or How to Talk About a Woman in a Pejorative Way

Even though it may seem paradoxical, it is also quite common to find the word mina used to refer to a woman in a pejorative or derogatory way.

This is quite common in everyday dialogues or when somebody is telling a story in which in some way or another a lady intervenes, whether she is beautiful or not.

Mina: A Tango Word

There are many tangos where we can find the word mina, either because a beautiful woman is the main character or because she is the singer’s elusive object of desire.

In this context, language expert Gobello states that it comes from the Italian slang. On the other hand, etymologist Santillán comes up with two complementary points of view. He mentions that, either it is the Castillian voice mina figuratively meaning any profitable activity or business or it derives from the Italian slang of the camorra in which this voice stands for “donna” and “miniera”, which mean young and beautiful prostitute.

It is also worth mentioning that the word mina has additional meanings in the world of tango. Amongst them we can mention: woman, female, prostitute, woman that lives with a man, woman that lives with a man illegally, concubine and lover.

The meaning of ‘junar’

Posted On April 8, 2013By TranspanishIn Languages, Lunfardo, Spanish Language, The origin of..., Tips for Translators, Translation Buyers/ 1 Comment

Argentine Spanish is strewn with words and colorful phrases from Lunfardo, a rich vocabulary born on the streets of Buenos Aires in the second half of the 19th century. Now considered a fixture of the Spanish language in Argentina (especially in and around Buenos Aires) and Uruguay, linguists cite the use of Lunfardo as a defining characteristic of the Rioplatense dialect. Add a dash of Argentine flavor to your Spanish vocabulary with the Transpanish blog’s ongoing feature highlighting some of the most frequently used terms in Lunfardo.

A popular lunfardo term is junar, a verb that is believed to have derived from the Romani language Caló of Spain and Portugal. In this language, which has inspired many other lunfardo terms, junar means “to listen”. In modern use, though, the meaning has changed.

The first meaning may be described as “to watch” or “look”, although it is more specific than mirar or ver. That is, junar is to look at someone in a roguish or even leering way. Oftentimes, it can be used to describe a person’s excessively obvious/aggressive “romantic” gaze, e.g. Él te está junando “He is leering at you”. Although it refers to a manner of looking in a specific time and space, it can also occasionally have implications beyond the particular instance.

The second meaning is basically synonymous with conocer, which also has a dual meaning—“to meet” or “to know”—though junar more closely compares to the later. It can translate very directly to conocer in an example such as ¿Junás a María?
“Do you know María?” or less so in another, ¿Quién la juna a María?, which is a rather pejorative way to say that nobody knows María, or that she’s not worth knowing.

The third meaning may be considered a sort of extension of the first and second meanings. That is, junar can be used both positivity and negatively with reference to a more essential characteristic or intention of a person—a characteristic beyond what is immediately, physically perceivable (e.g. a person’s manner of looking at). A close common Spanish equivalent here might be a combination of conocer and entender. Although it has a wider range of use than the first meaning, it commonly relates to romantic situations, e.g. La juna por la infidelidad “He/she knows she is unfaithful”.

It’s interesting to consider, first, how junar of lunfardo changed from the original form of “to listen” from Caló, and second, how the contemporary lunfardo meaning severed. At what point did the division between listening and seeing begin to blur, or, was the change less organic, i.e. did the initial rioplantense user of it simply decide to do so in this new manner? Finally, the dual lunfardo meaning raises the question: at what point does a physical characteristic, such as a manner of looking at someone, become more than physical—that is, essential of a person?

The word junar turns up in the lyrics of the tango “Atenti Pebeta” by Ciciarco Ortiz and Celedonio Flores.

Cuando estés en la vereda y te fiche un bacanazo,
vos hacete la chitrula y no te le deschavés;
que no manye que estás lista al primer tiro de lazo
y que por un par de leones bien planchados te perdés.

Cuando vengas para el centro, caminá junando el suelo,
arrastrando los fanguyos y arrimada a la pared,
como si ya no tuvieras ilusiones ni consuelo,
pues, si no, dicen los giles que te han echao a perder.

Si ves unos guantes patito, ¡rajales!;
a un par de polainas, ¡rajales también!
A esos sobretodos con catorce ojales
no les des bolilla, porque 1e perdés;
a esos bigotitos de catorce líneas
que en vez de bigote son un espinel…
¡atenti, pebeta!, seguí mi consejo:
yo soy zorro viejo y te quiero bien.

Abajate la pollera por donde nace el tobillo,dejate crecer el pelo y un buen rodete lucí,
comprate un corsé de fierro con remaches y tornillos
y dale el olivo al polvo, a la crema y al carmín.Tomá leche con vainillas o chocolate con churros,
aunque estés en el momento propiamente del vermut.
Después comprate un bufoso y, cachando al primer turro,
por amores contrariados le hacés perder la salud.

Cocoliche and the origins of a regional dialect

Posted On January 30, 2013By TranspanishIn Did you know?, Languages, Lunfardo, Spanish Language, Tips for Translators, Translation Buyers/ 1 No Comments

Regional differences in the way Spanish is spoken can usually be attributed to either the influence of native languages that exist in a particular area or the languages brought by immigrants that blend with Spanish to create a unique regional dialect. The Spanish spoken in Buenos Aires, as we have discussed in our series on Lunfardo words, is no exception.

Another example of a language influence is Cocoliche, which takes its name from Antonio Cuculicchio, a theater worker in the Podestá theater company established in Argentina and Uruguay towards the end of the nineteenth century. An Italian immigrant, Cuculicchio’s accent was apparently often mocked by others, giving rise to the comical caricature of a figure called “Cocolicchio”, representing a southern Italian.

Cocoliche is a hybrid language that arose from the meeting of Spanish in Argentina and Italian brought to that country by immigrants around the turn of the twentieth century. The result was a pidgin — an oral form of communication that blended elements of two languages to foster communication between diverse groups of people, in some cases simplifying the grammar and lexicon of each language.

Over time, as the Italian immigrants in Argentina spread out geographically and blended more into their new culture, Cocoliche began to disappear. Yet as it became more and more rare to hear the language spoken, per se, its remnants were left — and still remain — in the form of surviving words and turns of accent. Indeed, Cocoliche is the origin of some characteristics commonly associated with the Argentinian accent of Italian immigrants, such as the “ch” sound in “diche” (dice).

Italian family arriving in Buenos Aires

Some cocoliche words:

laburar:to work
gamba: leg, click here to learn more.
gambetear: to avoid, click here to learn more.
minga: nothing
yeta: bad luck, click here to learn more.
yiro: prostitute, click here to learn more.
yirar: to go for a walk, click here to learn more.
salute: cheers
manyar: to eat
birra: beer
fiaca: laziness, click here to learn more.

The Meaning of the Lunfardo Word ‘Gamba’

Posted On January 22, 2013By TranspanishIn Lunfardo, Spanish Language, Tips for Translators, Translation Buyers/ No Comments

As with many Lunfardo words, the origin of ‘gamba’ is dubious at best. However, it does have a documented history which elucidates its presence in modern Argentinian parlance.

We can begin with it’s equivalent in Italian, also ‘gamba’, meaning leg. The Italian term fits with its usage in Argentinian Spanish in the common phrase “haceme la gamba” — referring to someone who is helping or has good intentions. Similarly, it’s verb form in Italian, ‘gambettare’, is along the lines of to avoid a conflict — as one who helps a situation may do. This usage often comes up in the context of football (American soccer). That is, a player who handles the ball in such a way that a member of the opposite team cannot steal it.

However, the word takes on an opposite meaning in its usage in the Spanish expression “meter la gamba”, similar to the expression “meter la pata”. Both of these expressions of course mean to screw something up, more or less — the polar opposite of helping a situation, and sometimes at odds with having good intentions. This last meaning perhaps stems from the latin usage of the term ‘camba’, as in leg, referring to that of cavalry.

Another, unrelated usage of the Lunfardo term is in reference to money: 100 pesos or other currency in use, to be exact. ‘Tres gambas’, for example, might be 300 pesos.

The meaning of ‘Cana’

Posted On December 6, 2012By TranspanishIn Did you know?, Lunfardo, Spanish Language, Tips for Translators, Translation Buyers/ No Comments

Of all the slang terms that languages use, it seems every language has plenty of words for police. One of these within the Spanish language is the Lunfardo word “cana”. Although it is decidedly a Lunfardo word that made its way into Argentinian Spanish, its etymology is still disputed.

Free image courtesy of FreeDigitalPhotos.net
It has a long history, to be sure. The word “cana” actually appeared in the work of Cervantes to mean a police informer. But if it was not originally from the Spanish language, it may well have made its way to Spain from France, as some believe. The word has a striking resemblance to the French word “canne”, which means a reed or cane. This etymology would make sense in the context of its current usage, since police officers historically have carried batons which are very cane-like.

Of course the explanation may be more simple—the word could just be an abbreviation of the Spanish word for canary, “canario”, which has been used in Spain since the sixteenth century. Staying with that region as the word’s source, another option is Spain’s neighbor Portugal. Similar to the Portuguese word “encanado”, literally meaning prisoner in a cage made of reeds, the word could have made it’s way over to Latin America via Brazil.

There’s a more humorous usage relating to being a prisoner, with a possible etymological history in reference to someone who has had a setback of some kind, and who may consequently find himself languishing in jail. Or it could have been a reference to re-hired police officers who had already retired, whom thieves used to call “canosos” for their grey hair.

But however the word made its way into Argentinian Spanish, it has managed to become entrenched in the culture. With frequent appearances in the lyrics of tango songs, and common usage in the general population, the Lunfardo word cana is a well-understood synonym for policia.

The meaning of ‘yirar’

Posted On October 18, 2012By TranspanishIn Languages, Lunfardo/ No Comments

The Lunfardo term “yirar,” in its simplest form, means to meander, to wander or to go for a short walk out and about without necessarily having anywhere to get to in mind. It’s possible that the term is derived from the Italian verb “girare,” which literally means to wander along the streets.

In order to really catch the gist of the verb “yirar,” it is important to emphasize the difference between this Lunfardo expression and other related terms in the Spanish language, including “pasear,” “dar una vuelta” and “andar,” for example. The most important feature of the verb “yirar” is the fact that it is undeniably linked to a feeling of laziness. It describes the acts of a person who doesn’t really have a direction in mind; someone who isn’t interested in hurrying to do anything or to get anywhere. “Yirar” is a Lunfardo term distinctly associated with a sloth-like character.

During the 1840s in Paris, it was fashionable to wander around the city as slowly as possible. Whimsical characters and whimsical people were looked upon fondly and the French term, “flâneur,” was used to affectionately describe such people. Parisians were encouraged to indulge themselves in this sloth-like nature. It could be argued that “yirar” is Argentina’s Lunfardo response to “flâneur.”

The term “yiro” is most commonly known as an alternative word for “prostitute,” as it relates to the idea of someone who hangs around on the streets without seemingly having anywhere to go, anything to do, or any schedule to maintain. However, it is possible that the term might also be used to refer to people who wander around without direction in the hope of encountering something interesting at random; people who like to leave certain things to chance and who find planning of any kind quite restrictive.

Are you one of those people who likes to “yirar” on occasion?

The meaning of ‘pucho’

Posted On September 10, 2012By TranspanishIn Did you know?, Lunfardo, Spanish Language/ No Comments

Free image courtesy of FreeDigitalPhotos.net

In Lunfardo, the word “pucho” has a variety of meanings. These include “remainder,” or “the leftovers of something,” but it can also be used to mean “cigarette” or the “cigarette butt” which clearly derives from the idea of the “remainder or leftovers of a cigarette.” When used in its diminutive form, “puchito,” the term means “a little,” “a bit,” or “a small piece of something.”

It is possible that the word comes from the quechua (South American indigenous language) word “puchú,” which means “residue.”

Related words in Lunfardo include:

noun faso: which also means cigarette.

Usage examples: Vamos a hacerlo de a puchos, // Let’s do it little by little
Sobre el pucho, nos dimos cuenta de…. // Suddenly, we realized….

The song “Sobre el Pucho,” composed by Sebastián Piana and with lyrics by José González Castillo beautifully features the word “pucho” to describe how it feels to be suddenly discarded like a cigarette butt (pucho) in the street.

Sobre el Pucho

Un callejón de Pompeya

y un farolito plateando el fango

y allí un malevo que fuma,

y un organito moliendo un tango;

y al son de aquella milonga,

más que su vida mistonga,

meditando, aquel malevo

recordó la canción de su dolor.

Yo soy aquel que, en Corrales,

-los carnavales

de mis amores-

hizo brillar tus bellezas

con las lindezas

de sus primores;

pero tu inconstancia loca

me arrebató de tu boca,

como pucho que se tira

cuando ya

ni sabor ni aroma da.

Tango querido

que ya pa’siempre pasó,

como pucho consumió

las delicias de mi vida

que hoy cenizas sólo son.

Tango querido

que ya pa’siempre calló,

¿quién entonces me diría

que vos te llevarías

mi única ilusión?

A Linguistic Feature of Rioplatense Spanish: Hablar en capicúa

Posted On August 22, 2012By TranspanishIn Languages, Lunfardo, Spanish Language/ No Comments

Rioplatense or River Plate Spanish, the dialect of Spanish spoken in and around Buenos Aires, Argentina, is characterized by a number of features, most notably the use of voseo and Lunfardo slang; however, a lesser-known phenomenon called “hablar en capicúa” or “hablar en sánguche” also exists within the dialect.

Hablar en capicúa (known in English as epanalepsis) consists of taking a word or pair of words appearing at the beginning of a sentence and repeating it at the end. In Rioplatense Spanish, there is typically a slight pause and a downward inflection when the repeated words are spoken.

The word “capicúa” means palindrome (a word, sentence, etc. that reads the same forwards and backwards). Thus, hablar in capicúa is to speak in palindromes, as the repetition of the same word at the beginning and end of the sentence produces a palindrome of sorts. Others refer to this rhetorical term as “sandwich speak” (hablar en sánguche) presumably because part of the phrase is sandwiched between the two repeated bits.

Examples:

Me tomé todo el vino, me tomé. // I drank all the wine, I drank [it].

Sos un buen tipo, sos. // You’re a good guy, you are.

Tengo que morfar, tengo. // I have to eat, I have to.

Unlike Lunfardo and voseo, which have been adopted by Rioplatense speakers at all socioeconomic levels, hablar en capicúa is primarily employed by less-educated speakers.

The meaning of ‘fiaca’

Posted On August 9, 2012By TranspanishIn Did you know?, Lunfardo, Spanish Language/ 2 No Comments

In Lunfardo, the word “fiaca” is a noun that means “the feeling or state of being bored, idle, slothful or unmotivated.” When used to refer to a person, possible English translations of the word “fiaca” include lazybones, lazyhead, bum, layabout, and idler.

The Lunfardo word “fiaca” is said to have originated from the Genoese dialect of Italian. In that dialect, the word makes reference to “a lack of energy/tiredness attributed to missing a meal.”

Related words in Lunfardo:
verb hacer fiaca: laze about, bum around

Usage examples: ¡Qué fiaca que tengo! // Man, I feel like a slug today!

Los domingos me gusta hacer fiaca. // I like to laze about on Sundays.

The song “Doña Fiaca,” written by Eladia Blázquez, prominently features the word “fiaca” in the title and lyrics.

La fiaca no es pereza, no es descanso,

Es una sutileza de algo más.

Una melange de todo a nuestro modo

Un rasgo del folklore nacional.

La fiaca, es una filosofía

De la antigana de no hacer, del no querer,

La diosa del desgano y de la cama

Y la madam de la comodité.

Y convengamos que es un poco pastenaca

Aquel que nunca le da la fiaca,

Hasta el mismísimo Ministro de Trabajo

Su golpe bajo, debe amagar.

La gente fina la bautiza en su lirismo

Como ausentismo, pero es lo mismo,

Y doña fiaca es una mina que domina

En casa, en la oficina y en toda la nación.

Si alguno ha pensado en vacunarse,

Lo siento, pierde el tiempo sin razón.

La fiaca, sin remedio, va a atacarle

Porque es igual al virus de Hong Kong.

No teman, el mayor de los incordios

Serán las ganas que le den de apoliyar.

Si en alguien, el bostezo se hace gordo,

Llamen al “tordo”, que lo va a curar.

Lunfardo